![]() Rossini's portion from his father, was the true native heirship of an Italian: a little music, a little religion, and a volume of Ariosto. Stendhal, who published a colourful biography of Rossini in 1824, wrote: ![]() ![]() Giuseppe Rossini was charming but impetuous and feckless the burden of supporting the family and raising the child fell mainly on Anna, with some help from her mother and mother-in-law. He was the only child of Giuseppe Rossini, a trumpeter and horn player, and his wife Anna, née Guidarini, a seamstress by trade, daughter of a baker. Rossini was born in 1792 in Pesaro, a town on the Adriatic coast of Italy that was then part of the Papal States. Rossini's last major composition was his Petite messe solennelle (1863). Guests included Franz Liszt, Anton Rubinstein, Giuseppe Verdi, Meyerbeer and Joseph Joachim. On his return to Paris in 1855 he became renowned for his musical salons on Saturdays, regularly attended by musicians and the artistic and fashionable circles of Paris, for which he wrote the entertaining pieces Péchés de vieillesse. From the early 1830s to 1855, when he left Paris and was based in Bologna, Rossini wrote relatively little. Rossini's withdrawal from opera for the last 40 years of his life has never been fully explained contributory factors may have been ill-health, the wealth his success had brought him, and the rise of spectacular grand opera under composers such as Giacomo Meyerbeer. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims (later cannibalised for his first opera in French, Le comte Ory), revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. He also composed opera seria works such as Tancredi, Otello and Semiramide. During this period he produced his most popular works, including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola, which brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa and Giovanni Paisiello. In the period 1810–1823, he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. In 1815 he was engaged to write operas and manage theatres in Naples. His first opera was performed in Venice in 1810 when he was 18 years old. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.īorn in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of twelve and was educated at music school in Bologna. Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. For other uses, see Rossini (disambiguation).
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